CKY with special guests

Brick by Brick presents

CKY with special guests

Nekrogoblikon, Granny 4 Barrel, The Line, Ash Williams

Sun · November 4, 2018

Doors: 7:30 pm / Show: 8:00 pm

$18 adv & $22 day of; $95 VIP

This event is 21 and over

*Online sales end at 6PM day of show unless otherwise noted. After that, limited tickets will be available at the door.

CKY
CKY
Once upon a time, CKY burned it all down, with a raucous, anarchic, hard rock sound soaked in the skate-punk culture that birthed them and a hard-partying lifestyle onstage and off that decimated relationships and reputations in its wake. Now, CKY rises from the ashes of the aftermath with The Phoenix, a bold mission statement that hoists the flag high for big, raw, authentic, earth shaking rock n’ roll, liberated from useless pretense.

CKY’s sonic rebirth sounds as incendiary, expansive, and groovy as the Joshua Tree desert where it was made, and as decadent and funky as the strip-club adjacent rehearsal room where the songs were jammed out into submission. Each song is a forceful meditation on what makes CKY so killer.

Chad I Ginsburg, the band’s guitarist and singer, steps into the frontman role with charisma, charm, and bravado, confidently delivering a diverse performance as he claims a position that was clearly rightfully his to own.

He’s joined in enduring partnership and musical and personal chemistry by fellow CKY cofounder, Jess Margera, the drummer whose extracurricular work in projects like The Company Band (with guys from Clutch and Fireball Ministry) expanded CKY’s horizons as much as Ginsburg’s solo work has as well. The duo returned to their primary project refreshed and reenergized, with bassist Matt Deis (ex-All That Remains), who first joined CKY in 2005.

Guns N’ Roses, Metallica, and Deftones have all personally invited CKY on tour, cementing a legacy as a hard-charging live act. CKY built a worldwide fanbase of dedicated acolytes, friends, and supporters, lovingly dubbed the CKY Alliance, with a broader group of musicians, athletes, and other creative types in the CKY family, both literally and figuratively.

Carver City (2009) debuted at #4 on the Hard Music charts. It was the second CKY album to debut in the Top 50 on the Billboard 200: An Answer Can Be Found (2005) hit #35 upon its release. But if anything, The Phoenix is a spiritual successor to CKY’s breakthrough, Infiltrate•Destroy•Rebuild (2002), with a hint of the appropriately titled debut, Volume 1 (1999).

“We’re grown adults now with an eagle-eye perspective on who we are, what we do, and how to do it right,” Ginsburg declares, with matter-of-fact certainty. “None of us are out there in the clouds. We’re pretty well-grounded people that have an honest perspective on where we’re at.”

And where they are at is with a career-defining album that reshapes the brightest spots of CKY’s past while charging forward into a bright, self-assured future. “We made sure that we went into the studio with our guns blazing,” Margera says. “This isn’t a bunch of parts thrown together. We focused on the songs. We didn’t ‘have to’ make this album, we wanted to.”

In keeping with CKY tradition, The Phoenix was recorded at the famed Rancho De La Luna studio in California, which has played host to Daniel Lanois, Queens Of The Stone Age, Victoria Williams, Fu Manchu, and Mark Lanegan, among others. The studio was founded by David Catching, touring guitarist for Eagles Of Death Metal (among many credits), and late “desert sound” visionary Fred Drake.

“It’s one thing reading about the vibe at Rancho,” Margera says of the locale where the notoriously cool 1997 collaborative musical collective series known as The Desert Sessions took place. “And then it’s another thing to actually go out there and make an album. You’re like, ‘Ok, I get it.’”

“It’s the center of something out there,” Ginsburg agrees. “There’s a magnetic pull or something that lands directly in Dave’s backyard. I was just relaxed, waking up in the morning and getting right into the music.”

The goal was to make an authentic, organic, and “real” rock n’ roll record, uncompromising in its dedication to capturing what CKY actually sounds like playing in a room together, experienced at that gut-wrenching level of artistic intensity and swinging groove. As Margera explains: “Listen to a Zeppelin or Pink Floyd song and put that up against the copy/paste albums that are just snapped into a ‘grid,’ or whatever. There’s no comparison.”

The Phoenix touches on anger, revenge, good versus evil, desperation, recovery, growth, knowledge, survival, enemies, friends, and more. There’s heavy, dark, signature CKY grooves, “fun shit,” “fancy shit,” driving and almost danceable stuff, big melodies, total ear candy, immense diversity… There are even parts that sound like maybe Quincy Jones was given the keys to Rancho De La Luna and just ran amok with the dudes in CKY.

The totality of the CKY experience is perhaps best summarized by a quote from enigmatic comic book legend, author, and self-proclaimed magician, Alan Moore. “My experience of life is that it is not divided up into genres; it’s a horrifying, romantic, tragic, comical, science-fiction cowboy detective novel. You know, with a bit of pornography if you’re lucky.”

Margera observes that it was “a perfect storm of events” that led to CKY becoming a pretty popular name. “When it’s happening, you’re not paying attention. But once you get a couple of years under your belt, you realize, ‘Holy shit, man. That was lucky as hell that happened to us!’, ya’ know?”

“We’re feeling rather lucky,” Ginsburg agrees. “We’re not taking things for granted. We’re saturated in gratitude. It’s an incredibly humbled CKY, with a fire to last another twenty years. The point is to go play rock n’ roll and appreciate everybody else who does it, too. It’s a lucky job to have.”
Nekrogoblikon
Nekrogoblikon
On a cold, dreary winter night in July of 2006, Nicholas Von Doom and Tim were in the woods engaging in general tomfoolery when they stumbled upon a mysterious cardboard box with their names crudely inscribed with a Sharpie® Permanent Marker. Inside they found a letter handwritten in blood instructing them to write and record an album about the destruction of mankind at the hands of small, hideous creatures. Additionally, it mentioned that failure to complete this task would result in gruesome death. The letter was signed, "goblins".

Frightened and still a little buzzed, Nicholas and Tim immediately ran back into their cave and began frantically writing melodies and rhythms using an assortment of straws, whistles, and wooden spoons. The amalgamation of these sounds and Von Doom's indecipherable yelling soon became known to the world as NEKROGOBLIKON. The collection of music created that night was eventually named Goblin Island and was unleashed upon the world on January 1st, 2007. After receiving much Internet acclaim and a couple Grammys, Nicholas and Tim were relieved, assuming the goblins must have been satisfied. However, a couple years later another cardboard box appeared nearby their cave.

The goblins wanted more. Not just more music, but more people performing it, more silly instruments being used, and more Sharpies. Tim and Nicholas proceeded to kidnap four strangers and force them to help do the goblins' bidding. After another two years of writing, recording, drinking, and compulsive snacking, the new lineup of NEKROGOBLIKON released their sophomore album STENCH, which garnered them even more accolades. Rolling Stone raved about the album, calling it "the most dazzling album of the year." The LA Times stated "one can't help but be dazzled by STENCH." Even Paul McCartney praised the album, saying "if the degree to which I was dazzled was measured by volumes of water, STENCH would be an ocean."

At the goblins' command, NEKROGOBLIKON went on to perform these songs in public for months with the sole purpose of frightening children. This resulted in even further success for the band, eventually leading to them fully enslaving the Internet and being invited to shriek at innocent people at large musical festivals in Europe. "Surely, the goblins must be satisfied by now" thought the band. Weeks later another box appeared...
Granny 4 Barrel
Granny 4 Barrel
Imagine if Rob Zombie, Marilyn Manson, and Alice Cooper had a grandmother that fronted a rock band...enter Granny 4 Barrel! A Neo-Victorian steampunk shock rock nightmare - she is the Matriarch of Metal! The rocker “Freak Flag” is the first single/video of many to come (released via Mighty Loud Records and produced by Jeff Tomei), a song about being true to yourself. And the band’s singer (who goes by the name Granny) is a true original - “She represents freedom of expression, no limits on a person, and I channel her rage and insanity. In society, there are these stereotypes based on age, sex, race etc. Granny just shatters the mold! Her mantra is unleash your true self...make your own rules, anything is possible.” Be prepared to be shocked and rocked, by Granny 4 Barrel.
The Line
The Line
The Line profile was originally created for Various - Dreams & Frequencies
For the American rock band from Costa Mesa, CA please use The Line (2).
Ash Williams
Ash Williams
On the one cold winter's night a year San Diego has, four friends decided to join forces to bring a message of campfire tales to the world. Their brand of black metal/melodic hardcore/punk is unique in that they don't even know what the hell they're doing 75% of the time, but people seem to be into it, so they'll just keep doing it.

Their music has brought them from Tijuana to Seattle, Vancouver to Brooklyn, Philly to Las Vegas...they play all over the place. You get the picture.

Prepare yourself, for even as we speak, the four friends are planning their next move to come to a city near you.
Venue Information:
Brick by Brick
1130 Buenos Ave
San Diego, CA, 92110
http://www.brickbybrick.com/