Nekromantix with special guests

Brick by Brick presents

Nekromantix with special guests

Devil's Brigade, The Loveless

Thu · November 17, 2016

Doors: 7:00 pm / Show: 8:00 pm

$20 adv & $25 day of

This event is 21 and over

*Online sales end at 6PM day of show unless otherwise noted. After that, limited tickets will be available at the door.

Nekromantix
Nekromantix
Never self-serious while far from a joke at the same time, Nekromantix is a musical unearthing of the biggest themes from the greatest works of monster, zombie, vampire, werewolf and b-horror fiction; ripped from literature, comic book pages or classic celluloid. Nekromantix chases a darkly romantic muse with an even darker humor.

The Nekromantix catalog boasts enduring genre classics like the unapologetically hooky yet undeniably fierce “Who Killed the Cheerleader?” and “Gargoyles Over Copenhagen” alongside subversively sentimental cuts like “Haunted Cathouse” and “Subcultural Girl.” There are echoes of rock n’ roll’s greats and punk rock icons alike, all with modern flair.

A Symphony of Wolf Tones & Ghost Notes broadens the Nekromantix legacy with expansive ambition that never sacrifices the trio’s inherent grittiness, furiously stoking and reshaping the flames of the creative vision begun in Denmark with legendary labels like Nervous Records, through the band’s master classes in punk n’ roll albums stateside with Hellcat Records, the label cofounded by Tim Armstrong and Brett Gurewitz.

Armed with his signature coffin bass, chilling baritone, monstrous expressions and ten-stories-tall haircut, Kim Nekroman has earned tremendous respect, admiration and goodwill from a fiercely dedicated legion of hard-partiers, rabble-rousers, well-meaning degenerates, grease monkeys, outlaw bikers, nostalgic tastemakers and forward-thinking punks. It’s a crew of supporters as diverse as the otherwise classic and timeless music the Danish-born California transplant has unleashed as leader of Nekromantix.
Nekroman’s notorious quiff is as instantly recognizable as the coffin bass he’s slapped into submission on nine studio albums, countless worldwide tours and festivals. The quiff, of course, combines the midcentury rebel style of the pompadour and flattop with the punk attitude of New York and Europe from the late 70s. It’s a fitting symbol for the style of music Nekromantix has perfected into an art form, a rollicking psychobilly sound with reverence for the genre’s origins and predecessors, infused with an iconoclastic boundlessness that refuses to abandon the electric catharsis of unadulterated fun.

Return of the Loving Dead (2002) marked a career resurgence and subcultural breakthrough for what was previously a feverishly cherished underground band best known outside of North America, via now legendary records like Curse of the Coffin (1991), Brought Back to Life (1994), Demons Are a Girl’s Best Friend (1996) and their unstoppable debut, Hellbound (1989). The new millennium brought the band to America (at first to tour and eventually, to stay), conjuring into the world new Nekro landmarks in the forms of Dead Girls Don’t Cry (2004), Life is a Grave & I Dig It! (2007) and What Happens in Hell, Stays in Hell (2011), as Nekroman steered the band through shifting lineups and energized shows with bands like Rancid and Reverend Horton Heat.

Nekroman has been joined by skilled guitarist Francisco Mesa for nearly a decade now, with drummer Adam Guerrero bringing a fresh injection of passionate enthusiasm to the band in 2014. A Symphony of Wolf Tones & Ghost Notes is a fertile proving ground for a reenergized lineup that fans of the band have already loved for two years. New songs like “Glow in the Dark,” “War Bats” and “Resting Witch Face” are instant classics, standing mightily alongside the greatest Nekromantix songs enduring in their set list.
There are some bands whose sound, image and front person became synonymous with an entire subculture, whether as originators of a particular style, a crucial innovator among a handful of likeminded artists, or simply as the best embodiment of everything a specific style has to offer. Rock historians may debate who reigns supreme among Black Sabbath, Led Zeppelin and Deep Purple, but there’s no denying they are all heavy metal titans. When someone says “Lemmy” or “Strummer” or “Blondie,” certain feelings are immediately invoked. There’s a palpable energy in the air among hardcore acolytes and culture mavens. It’s a kind of iconic resonance that transcends boundaries.

To their dedicated army of supporters around the world and across every dimension, Nekromantix stands tall among the ghosts in rock n’ roll’s undead cemetery.
Devil's Brigade
Devil's Brigade
Celebrated Bay Area punk legend Matt Freeman of Rancid and Operation Ivy fame released the long awaited, self-titled debut album for his side project Devils Brigade on August 31, 2010 via Hellcat Records. The bass player has assimilated a touring band to join him this fall when they hit the road with labelmates Street Dogs on a US tour.

Devils Brigade was conceived in 2000, when bassist Matt Freeman began writing songs with Tim Armstrong between Rancid tours. This led to a few EPs and some songs on Hellcat’s Give Em The Boot compilation, but the project was put on the back burner when Rancid began touring and recording again. Years went by and after Rancid took a break from touring on the Let The Dominoes Fall record, Matt got the itch to reactivate the project with a new studio album.

“The original concept for this record was going to be a musical,” says Freeman. “Tim had been kicking around an idea of doing a musical about the building of the Golden Gate Bridge. He had the title “Half Way To Hell Club.” This was based on the name for the bridge workers who fell off the bridge while it was being built and fell into the safety net that was between them and the ocean. We grew up in the East Bay looking at that bridge and it has always been a part of our lives. Six of those songs ended up on the Devils Brigade record. The other songs were all original Devils Brigade songs from the first demo. We thought they were still good and we should record them again.”

In early 2010, Matt and Tim entered the studio with DJ Bonebrake from the influential punk group X and recorded twelve quick tempered songs featuring Matt’s signature, snarling vocals along with his snap, thumping upright bass, which shine through on roots driven punk tracks like “I’m Moving Through,” “Who’s Gonna Save Your Now” and “My Own Man Now.”

“It was a great vibe in the studio,” Matt adds. “The record has a real live and loose vibe. Loose in a good way. Tim’s guitar style blended really well with DJ and everything clicked very quickly. We had a lot of fun making this record. I am going to take it out on the road whenever I can when Rancid is not doing anything.”
The Loveless
The Loveless
Beer, Booze, Smokes, Horror Flicks, Carnage, Destruction and Demonic Influence.
Venue Information:
Brick by Brick
1130 Buenos Ave
San Diego, CA, 92110
http://www.brickbybrick.com/